This Anglo-Saxon saint, also known as Eadgyth, was born in Kemsing, just down the road, around AD 963, and was the inspiration for my journey of discovery into local saints. She was the illegitimate daughter of King Edgar (called “the Peaceable” because there were no major wars in his time!) He took a fancy to a young girl, Wulfthryth (also known as Wilfrida) who was living in Wilton Abbey, a convent just outside Salisbury which also educated and protected the daughters of the noble families of the time. She was probably in the process of becoming a nun, but had not yet taken her final vows, and Edgar either abducted or eloped with her – sources vary in their description of this. He was well known for this kind of behaviour, sadly, and even at the time was censured for it, but kings have a way of getting what they want!
When Wulfthryth became pregnant, Edgar installed her in a convent, or possibly a royal house, in Kemsing. Edith was born there and spent a few years of her early childhood in Kemsing with her mother. Edgar either couldn’t or wouldn’t marry her – or perhaps she wouldn’t marry him! - and soon afterwards he married another woman, having allegedly killed her husband, who became his Queen. Wulfthryth and Edith chose to return to Wilton, where Wulfthryth was soon made Abbess. Edith also became a nun at the age of 14, but refused King Edgar’s offer to make her Abbess of three different abbeys, preferring to stay at Wilton. Perhaps she preferred Wilton, or felt she didn’t know how to run an Abbey – or perhaps she didn’t want to be a “political appointee”, seen as Edgar’s daughter, a man whose manipulative tendencies she knew all too well!
Wilton House, built on the site of the old Abbey |
She died at the age of around 23, was buried at Wilton. She soon came to be regarded as a saint, (as was her mother, St Wulfthryth), acclaimed by the local community – it wasn’t until the 1200s that the Vatican formalised the process for making saints. People reported that they had been healed when they prayed at her tomb, and it became an important shrine and place of pilgrimage.
I was delighted to find research by Alison N Altstatt into the Rogationtide Processions of Wilton Abbey, which included the music which would have been sung during them During a visit to Wilton, Philip and I sang one of Edith's antiphons in one of the churches in Wilton to which the relics would have been taken. It may have been the first time this music had been sung since the Reformation.The saint who fought back!
Edith features in this stained glass window in St Mary's Church, Wilton |
Back in Kemsing, a shrine was set up in the churchyard, and there were reports of miraculous healings, particularly of the eyes, at her holy well which had probably been in the grounds of the convent in which she had been born. Lying on a route which pilgrims took to Canterbury, the shrine was a popular stopping off point, and much visited until it was destroyed at the Reformation. An antiquary of the time, John Leland, complained that 'seelie bodies' (foolish people) would make offerings of grain to Edith's statue, but as he was trying to ingratiate himself with Henry VIII in the aftermath of the dissolution of the monasteries, he may have had a political bias! The well is still there, of course, and during the twentieth century, Edith’s feast day, September 16, has begun to be celebrated again in a variety of ways.
What has this to do with Seal?
St Mary's Church, Wilton |
Hello Anne!
ReplyDeleteHow nice to find your blog and to learn that you have sung some of the music I transcribed at Wilton. I have a book in progress on the source which should be out in 2024.
May I please ask for two favors so that your readers can find my work on the Rogations processions more easily? First, if you would please link directly to to the online journal article instead of to Researchgate, there would be no firewall: https://elischolar.library.yale.edu/yjmr/vol2/iss2/3/
Second, my last name is spelled with four "t's--Altstatt (not Alstatt.) I have a difficult name, and it is a common mistake, but if you would kindly fix it, I would appreciate it.
Thank you, and best wishes,
Alison Altstatt
alison.altstatt@uni.edu
Thank you. Delighted to make those corrections. We were so glad to be able to sing Edith's music, even just to ourselves and the heavenly choir...Thank you for the work you have done to bring it to light.
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